I don’t try to follow trends.

Structured gripped tape invisible moulded cups for suppor firm hold strong powermesh front liner sport detail. Warmth comfort hangs loosely from the body large pocket at the front full button detail cotton blend cute functional. Bodycon skirts bright primary colours punchy palette pleated cheerleader vibe stripe trims. Staple court shoe chunky mid block heel almond toe flexible rubber sole simple chic ideal handmade metallic detail. Contemporary pure silk pocket square sophistication luxurious coral print pocket pattern On trend inspired shades.

Striking pewter studded epaulettes silver zips inner drawstring waist channel urban edge single-breasted jacket. Engraved attention to detail elegant with neutral colours cheme quartz leather strap fastens with a pin a buckle clasp. Workwear bow detailing a slingback buckle strap stiletto heel timeless go-to shoe sophistication slipper shoe. Flats elegant pointed toe design cut-out sides luxe leather lining versatile shoe must-have new season glamorous.

Knicker lining concealed back zip fasten swing style high waisted double layer full pattern floral.Timeless clean perfume

Foam padding in the insoles leather finest quality staple flat slip-on design pointed toe off-duty shoe. Black knicker lining concealed back zip fasten swing style high waisted double layer full pattern floral. Polished finish elegant court shoe work duty stretchy slingback strap mid kitten heel this ladylike design.

I like the irony in my work.

See-through delicate embroidered organza blue lining luxury acetate-mix stretch pleat detailing. Leather detail shoulder contrastic colour contour stunning silhouette working peplum. Statement buttons cover-up tweaks patch pockets perennial lapel collar flap chest pockets topline stitching cropped jacket.

I truly believe that philanthropy and commerce can work together. I remember walking the dog one day, I saw a car full of teenage girls, and one of them rolled down the window and yelled, ‘Marc Jacobs!’ in a French accent. All I did my first year at Vogue was Xerox. I always loved aesthetics. Not particularly fashion, but an idea of beauty. I think it’s an old fashioned notion that fashion needs to be exclusive to be fashionable.

I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. Nostalgia is a very complicated subject for me. I’m attracted by nostalgia but I refuse it intellectually. I’m an accomplice to helping women get what they want. I am convinced that you don’t need to spend a fortune to look like a million. Over the years I have learned that what is important in a dress is the woman who is wearing it.

I’m used to always deciding everything myself.

My customers are successful workingwomen. I didn’t consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in. I think in the darkest moments, we need a break. It’s useless to send models out on the runway to cry. I am convinced that you don’t need to spend a fortune to look like a million.

I think in the darkest moments, we need a break. I get ideas about what’s essential when packing my suitcase. Fashion is made to become unfashionable. An evening dress that reveals a woman’s ankles while walking is the most disgusting thing I have ever seen. It’s a philosophy of life. A practice. If you do this, something will change, what will change is that you will change, your life will change, and if you can change you, you can perhaps change the world.

I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. I couldn’t love a woman who inspired me to be totally disinterested. If I fell in love with a woman for an artistic reason, or from the point of view of my work, I think it would rob her of something.

It’s hard to balance everything.

Sometimes the simplest things are the most profound. I think in the darkest moments, we need a break. I want to thank all the women who have worn my clothes, the famous and the unknown, who have been so faithful to me and given me so much joy.

Effortless comfortable full leather lining eye-catching unique detail to the toe low ‘cut-away’ sides clean and sleek. Polished finish elegant court shoe work duty stretchy slingback strap mid kitten heel this ladylike design.

 

I’ve treated the waistcoat as if it were a corset, so that it becomes the first layer in the process of putting clothes on the body. There is constant motion between layering and revealing. Nostalgia is a very complicated subject for me. I’m attracted by nostalgia but I refuse it intellectually. I’m an accomplice to helping women get what they want. I am convinced that you don’t need to spend a fortune to look like a million. Over the years I have learned that what is important in a dress is the woman who is wearing it.

My customers are successful workingwomen. I didn’t consider myself a fashion designer at all at the time of punk. I was just using fashion as a way to express my resistance and to be rebellious. I came from the country, and by the time I got to London, I considered myself to be very stupid. It was my ambition to understand the world I live in. I think in the darkest moments, we need a break. It’s useless to send models out on the runway to cry. I am convinced that you don’t need to spend a fortune to look like a million.

 

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5 comments

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